Learning goals

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Success criteria

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Understanding historical contexts

Examine the following artwork and try to answer these questions:

  • Can you identify what it is?
  • What do you think it is made of?
  • Who do you think made it?
  • What might it mean?
Weaving mat by Frieda George. The mat represents The Secret Pocket book.

This artwork was created by Frieda George, a master Salish weaver of the Squiala First Nation. It is a story mat that was created to reflect the experiences of Mary, a residential school survivor.

Did You Know?

Did You Know?

What is a residential school?

The Qu’Appelle Indian Industrial School was a residential school financed by the federal government and located in Saskatchewan. It was in operation from 1884 to 1969. Parents of students were forced to camp outside of the school’s gates in order to visit their children. (c. 1885)

Under the Indian Act, the federal government mandated the education of First Nations children and partnered with the Catholic and Christian churches to create the residential school system. The residential school system was created to give First Nations children an education with a focus on assimilating them (erasing their identities, language, and culture). While the Inuit and Métis peoples were not included in the Indian Act, they were still enrolled in residential schools.

As the federal government increased its efforts to assimilate Indigenous Peoples into mainstream society, First Nations, Inuit, and Métis Peoples continued to organize and fight for their rights. Many Indigenous Peoples had resisted the oppressive treatment and legislation prior to this era but encountered great difficulty due to the oppressive laws and policies created by the government such as the Indian Act.

Examine the artwork once more. How does knowing that it tells a story about a residential school experience change your interpretation of it?

Weaving mat by Frieda George. The mat represents The Secret Pocket book.

In this learning activity, you will learn about the story that inspired this weaving. As you read, consider the role that traditional skills and education played in helping some First Nations children survive the trauma of residential schools. You will learn how traditional skills have also played a role for some in healing and reconciliation.

Salish weaving

Coast Salish peoples are a diverse group of over 40 independent First Nations living along the Pacific coast of what is now called Canada and the United States. Coast Salish peoples are known for their masterful textiles. The traditional skills of sewing, knitting, embroidery, and weaving have been passed down through the female generations of Coast Salish peoples since time immemorial. The items produced with these skills have great cultural and spiritual meaning to the Coast Salish people. Salish robes, for example, were symbols of identity and legal documents, and they identified the respected knowledge holders in a community.

Coast Salish are particularly known for the following items:

  • robes and blankets woven from wool
  • baskets and hats woven from bark and roots

Explore the following images.

Let’s check!

Let’s check your understanding of the Coast Salish people. Select the correct answer, then press Check Answer to see how you did. 

Keeping traditions and sharing experiences

Peggy Janicki is a Dakelh teacher from the Nak’azdli Whut’en First Nation, born and raised in the unceded territory of the Stó:lō Coast Salish peoples. When Peggy was a child, her mother Mary and her auntie Carrie taught her traditional Dakelh (Carrier) sewing and beadwork, beading moccasins, and sewing intricate floral patterns onto hides.

Peggy’s mother Mary became a master Salish weaver and a member of the Salish Weavers Guild in Chilliwack, B.C. In the 1960s and 1970s, the guild helped bring back traditional weaving skills lost during the residential school era. Bringing weaving back to life rebuilds and celebrates part of their identity that was damaged by colonialism.

In her later years, Mary gifted Peggy with a story from her time at residential school. Mary’s story became the book The Secret Pocket and inspired the artifact of Salish weaving we examined in the Minds On section.

Pause and Reflect

Reflection question

In a notebook or using another method of your choice, reflect on the following question.

How did residential schools aim to harm Indigenous identities and cultures?

Surviving residential schools

The residential school system operated for more than 100 years in Canada. More than 150,000 First Nations, Métis, and Inuit children were removed from their families and forced to attend residential schools where they were abused, mistreated, and alienated from their families and culture.

Although the 130 different institutions were called “schools,” their focus was unlearning Indigenous culture rather than learning school subjects. Indigenous children were not allowed to speak their own language, practise their spirituality, or follow the wisdom and teachings of their Elders. They were punished severely if they did these things. It was hoped that they would lose their Indigenous identity and assimilate into Canadian society.

Residential schools caused generational trauma that continues today. Children taken to the schools were robbed of their childhood, while older generations were robbed of their children. Generations of children and grandchildren have also suffered, as their parents and grandparents are haunted by the experiences.

There are no happy-ending stories about residential school systems. But there are stories of resilience and ingenuity in those shared by survivors and their children and families. When faced with the worst circumstances, many children used traditional skills and teachings to cope.

The Secret Pocket picture book

Mary and other Dakelh children from the Fort James area were forced to attend the Lejac Residential School. As you read The Secret Pocket, notice how the girls used their knowledge to help them survive physically, emotionally, and spiritually.


You have done a lot of thinking about residential schools’ experiences. Now is a great time to take a break before we turn to check your understanding of what you’ve read.

Student Wellness

Take a break!

Time for a body break! If possible, stretch your body and move around your space.

Reflecting on the story

Now, let’s reflect on the story you read in the book The Secret Pocket.

Cover of the picture book The Secret Pocket

Post-reading

Check your understanding of the story by answering questions in a notebook or you can use another method of your choice. If you find a question challenging, try rereading the book to clarify your understanding. When you are done, press Sample Answer to check a suggested response for each question.

  1. Setting: What are the two settings of the story?
  2. Conflict: What challenges did Mary have at school?
  3. Theme: How does the book show the theme of resilience?
  4. Message: Why is it important to know and keep in mind Lejac Residential School?

  1. The first setting is Nak’ azdli Whuten and the second is the Lejac Residential School.
  2. Mary had many challenges at school. For one, not having enough food to eat and being cold in school. She also worried she would not go home for winter break.
  3. Resilience means that someone can withstand difficult things or recover from tough events in their life. As a child, Mary showed resilience when Betsy shared how to eat toothpaste. As an adult and an elder, Mary showed resilience by sharing her story and celebrating the strength of the girls.
  4. It is important to keep in mind Lejac Residential School because it was one of many residential schools across Canada. Also, it helps us understand Indigenous People's call for truth, justice and fair treatment.

Alternatively, if you have a partner and access to a printer, you can print out and then cut out the following paper cruncher game. This will let you review by playing a game with a partner. Access the following Cruncher Review to print the game.

Cruncher Review

Press the Activity button to access the Cruncher Review.

Activity(Opens in a new tab)

Now, review the following quote from the book The Secret Pocket by Peggy Janicki.

“Now, as a great-grandmother, I look back at this time and see what sweet little geniuses we were. In the full face of genocide and cruelty, we secured our families’ path for generations to come. We sewed our survival into every stitch. We come from a strong line of artists and geniuses, so we stitch with easy skill.

I continued my kesgwut-making, and my best friend, Josephine, taught me Salish weaving. Between the two, I was able to care for my family and conjure pure magic.

We were geniuses. We are geniuses. We will always be geniuses.”

In your own words, explain how “We sewed our survival into every stitch” represents the main idea of the story. Record your thinking in a notebook or using another method of your choice.

An interview with the author

Mary and some of the girls at Lejac used traditional skills passed down by their family and members of their communities to help them survive residential school. By telling their stories, they help the next generations. Let’s hear from the author why this story is so important.

Before listening, consider the following question: Why do you think stories such as Mary’s are important?

Listen to the following audio clip of an interview between journalist Shelagh Rogers and author Peggy Janicki. As you listen, take note of Peggy’s message about why it is important to share stories such as her mother Mary’s.

The Next Chapter

Did You Know?

Did You Know?

What is the Truth and Reconciliation Commission?

The Truth and Reconciliation Commission of Canada was created by survivors to tell all Canadians about what happened in residential schools. It gathered the stories of Indigenous Peoples who went to these schools, their families, and others affected. This included First Nations, Inuit, and Métis residential school survivors, their families, communities, church workers, government officials, and other Canadians.

Through her work as an author, storyteller, and weaver, Peggy celebrates the genius and excellence of Indigenous Peoples and helps heal generational trauma.

In a notebook or using another method of your choice, apply what you have learned from Peggy’s message in the interview and answer the following question in your own words: What role do stories from the past have in the process of reconciliation today?

When you are done, press the Possible Answer button to preview a sample answer to some of the questions.

It is important to know the truth of Canada before reconciliation. We have to keep telling the stories and make sure that each generation of children understands the need for reconciliation and can help dismantle systems of racism.

Pause and Reflect

Pause and reflect

How does hearing the author’s words impact your experience with the book?

Vocabulary time

vocabulary

Vocabulary routine

Let’s review some of the new vocabulary words used in this learning activity so far.

For each term, select the corresponding meaning.

The importance of storytelling

Peggy Janicki’s mother Mary gifted her with her Lejac Residential School story. With her permission, Peggy has published her mother’s story in writing and shared it in many other ways. Indigenous stories are important because they tell the truth of what happened. Truth comes before reconciliation.

As author Richard Van Camp says:

“Let’s share the journey of honouring Truth and Reconciliation together in a good way, a gentle way with respect and with permission: in the name of friendship, by honouring those who were stolen from their families and their descendants so this can never happen again.”

To consolidate your learning, you will practise sharing Mary’s story by providing an oral summary. Care must be taken to share stories respectfully, and with permission.

What Indigenous stories can non-Indigenous people or Indigenous people outside of the community tell or share?

  • oral stories when the storyteller has given permission
  • published stories

How do we share Indigenous stories respectfully? Review the following guidelines:

  • Make sure you have the author or storyteller’s permission to share.
  • Give credit/acknowledge the author or storyteller.
  • Share the Indigenous Nation the storyteller and/or the story comes from.
  • Share where we found the story (a book, website, and so on).
  • Don’t change any of the main ideas or details of the story.

Let’s begin!

If possible, work with a partner or use a voice recorder so that you can orally summarize Mary’s story in The Secret Pocket.

Consider planning your oral summary using the following prompts to guide you:

  • Introduction: To honour the storyteller and the Nation that they come from, consider beginning with an introduction such as this: “This story is from the Dakelh Nation and was told by Mary to her daughter Peggy. Peggy then shared her mother’s story in her book titled The Secret Pocket.”
  • First, …
  • Next, …
  • Then, …
  • Importance: Share why you think the story is important or the storyteller’s message or purpose in sharing their story.

As you listen to your own summary or, if possible, the summary of a partner, consider the listening skills you would use to communicate respect for the speaker and the content they are presenting.

Use the following checklist to analyze and assess the listening skills that you would use.

A person with their hand on their chin, thinking.

Reflection

In a notebook or using another method of your choice, reflect on the following.

  • What new insights did you gain about Indigenous perspectives and experiences from summarizing the story?
  • What challenges did you face in summarizing the story, and how did you address them?

Reflection

As you read through these descriptions, which sentence best describes how you are feeling about your understanding of this learning activity? Press the button that is beside this sentence.

I feel...

Now, record your ideas using a voice recorder, speech-to-text, or writing tool.

To continue your journey with truth and reconciliation, consider completing the following activity created by author Peggy Janicki. She created the paper cut-out pins as a memory piece.

Read the following explanation in Peggy’s own words:

“The idea is to hear the story and then pin the pocket on. The mission is for folks to pin it onto themselves and only take it off until someone asks them what the pin is they are wearing. The wearer is then obligated to re-tell their understanding of the story and give the pin to the new person with the same mission – to wear it until someone asks.”

Access the document Secret Pocket Paper Pins to complete the activity.

Secret Pocket Paper Pins

Press the Activity button to access the Secret Pocket Paper Pins.

Activity(Opens in a new tab)